Scene 1:
Medium shot from behind, close distance. A lion is sitting on a barbershop chair, facing a large glass mirror in front of him. The wall behind the mirror is plain white. The camera captures the backs of both the lion and the mirror setup, showing a tight, intimate frame from behind.
The lion is wearing a black barber apron and casually scratching his mane with one paw, as if thinking. He stays seated and does not rotate the chair — only later turns his head slightly.
Then, Budi, a 25-year-old Indonesian man, enters the frame. He has slicked-back hair styled with pomade, wearing a white polo shirt and light brown pants. He walks toward the lion while holding scissors and a comb. Budi stops next to the lion and, with a Jakarta accent and friendly tone, says: “Mau cukur model apa bro!”
The lion waits until Budi finishes speaking, then slightly turns his head toward Budi and casually replies with a Jakarta accent: “Rapihin aja bang..”
Make the lion look realistic and expressive, with natural fur movement, especially around the mane. Keep the lighting soft and cinematic. Emphasize the close, over-the-shoulder framing from behind to highlight the mirror and the moment between them.
Scene 2 :
Medium shot from behind, camera positioned close behind Budi, showing his back clearly. Budi is standing and completely facing away from the camera, blocking the lion from view except for parts of the lion’s mane. Only strands of the lion’s mane are seen falling to the left and right sides as Budi trims them.
Budi is a 25-year-old Indonesian man with slicked-back black hair styled with pomade. He wears a tight white polo shirt and light brown pants. He holds a pair of scissors and a comb. His hands move extremely fast with a timelapse effect, showing rapid cutting motion.
As Budi trims, individual strands of the lion’s mane fall off in slow motion, drifting gently to the left and right of Budi’s body. The contrast between Budi’s fast hands and the slow-falling hairs creates a dynamic visual effect.
The background features a large wall-mounted mirror directly in front of them, reflecting the scene faintly. The surrounding barbershop wall is clean and plain white.
While cutting, Budi casually says in a Jakarta accent:
“Mau jum’atan ya bro, makanya di rapihin?”
After a moment, the lion — still mostly hidden behind Budi — replies calmly in a Jakarta accent:
“Iya bang, biar bisa pake kopiah..”
Ensure:
- Budi’s back fully blocks the lion except for mane strands.
- Hair strands are detailed and float naturally.
- Hand motion has a clear timelapse look.
- Mirror is clearly visible on the wall ahead.
- Lighting is soft and realistic with slight reflections on the mirror.
Scene 3:
Close-up front shot, camera placed directly in front of the lion and Budi at close range. The lion is sitting on a barbershop chair, facing the camera. He wears a black barber apron and is completely bald — his mane has been shaved off, showing a clean, realistic lion face without fur around the head. He casually scratches his bald head with one paw while looking calm.
Behind him, the wall is plain white, with blurred posters of men’s hairstyle models — typical of a real barbershop setting.
Budi, a 25-year-old Indonesian man, stands beside the lion, smiling. He has slicked-back black hair styled with pomade, wears a white polo shirt and light brown pants, and gently places one hand on the lion’s shoulder. Looking at the camera, Budi says with a friendly Jakarta accent:
“Nah udah rapih bro, jadi deh jum’atan..”
Immediately after Budi finishes talking, the lion turns his head slightly, raises his front paw, and slaps Budi hard on the face — the paw clearly hits Budi’s cheek. At the same time, the lion shouts loudly in a firm, angry Medan accent:
“Pala bapak kau lah!”
The impact is strong and direct to Budi’s face, causing Budi to stumble and fall backward out of the frame. The lion stays calmly seated and expressionless after delivering the slap.
Direction Highlights:
- Lion’s paw must clearly contact Budi’s face (not chest or shoulder).
- Budi must visibly react and fall, showing realistic slap physics.
- Lion stays seated, calm after the action.
- Lion’s bald face must be sharp, natural, not stylized or soft.
- No cartoony motion, keep the tone semi-comedic but visually grounded.
- Camera does not move, close-up from the front to capture the slap moment clearly.
